For a while now, I’ve been going through most of my comics’
collection. I’ve mostly been doing it to weed out anything I don’t want
anymore. So far, it’s only been a couple of things but not anything too big. I’ve mostly been reading my not-so-complete collection
of Post-Crisis Superman. I’ve collected stuff from the late 80’s to the late
90’s. When I get past 1999, that’s when it’ll get pretty spotty. Still,
Post-Crisis Superman will make the cut. I’ve ran across some subpar issues, but
it’s pretty good so far.
Anyway, one run I wanted to revisit was Scott Snyder’s and
Greg Capullo’s run on Batman. At the time this series was coming out, folk were
claiming it was the best series on shelves. The word of mouth got me on this
one. While I was already a Batman fan, I only read a little involving the character.
Most of my fandom came from the movies and animated series. Since the New 52
was starting up and I was starting to get comics regularly, I jumped in and
stayed to the bitter end. Since Scott Snyder (not related to Zack Snyder) is
revving up for a Batman-centered event called Dark Days: Metal, I thought it
was finally time to read and talk about this run.
As I said above, Snyder’s and Capullo’s run was part of the
DC’s New 52 initiative. Snyder already had some experience with Batman (the Dick
Grayson variety) since he was writing
Detective Comics before this run. I didn’t know who Capullo was, though. All I
knew was that he worked on Spawn and X-Force. Their run on Batman would last
about 52 issues, the whole entirety of New 52 and “DC You”. There would also be
a few special issues in there but I’m pretty much focusing on the main book.
Snyder was pretty much on the whole time with some writers
coming in and helping out with back-ups and annuals. James Tynion IV, Gerry
Dugan, Brian Azzerello, and a couple of others would help out at times. While Capullo
had a couple of breaks here and there, he did a lot of his own work on the book.
Other artists included folk like Andy Kubert, Jock, and, Jason Fabok, and Alex Maleev. The backups would also be handled by Rafael Albuquerque
and others. Inkers would also vary here and there. Capullo’s main inkers were Johnathan
Glapion and Danny Miki.
Here’s a quick but long rundown of the series:
You know you're getting something good when a series starts out like this.
- The Court of Owls (#1-7) – Batman starts to uncover a well-hidden organization called the Court of Owls. Not only are they well-funded, they may have ties to the Wayne family itself.
- The Night of Owls (#8-11, Annual #1) – This was part of a crossover with the other Bat-books. Basically, the Bat family have to protect Gotham when the Court of Owls decide to reign havoc and take over Gotham by force.
- #0 – This was part of DC’s Zero Month. It looks at a time during Bruce’s life where he was just a vigilante, not Batman. It was basically a precursor to Zero Year, the new origin on Bruce’s first year as a vigilante.
- #12 – This looks at a character named Harper Row, a poor teenager who takes a fascination with Batman.
- Death of the Family (#13-17) – The Joker returns from his hiatus and personally comes after the Bat family and the GCPD.
- #18 – This also centers on Harper Row as she starts to become a vigilante. Also, Batman is reeling from the aftermath of Batman Incorporated. Let’s just say that something happens to Damien.
- Clayface arc (#19-20) – While Bruce is still reeling from what happened to at the end of Batman Inc., Clayface decides to have some fun as Bruce Wayne himself.
- Zero Year (#21-26, #29-33, Annual #2) – This is Batman’s new origin going forward. It shows Bruce taking on the biggest threats and and ultimately adopting the cape and cowl. He faces off against threats like the Red Hood Gang and some nerd named Edward Nygma. We also see him forge relationships with his closest allies and become the bad mofo we know him to be. Think Batman Begins but more fantastic.
- #28 – This is basically a pre-curser to Batman Eternal, a weekly maxi-series that showcased Batman and his world. Let’s just say that stuff is a little different with Harper Row becoming a superhero and Catwoman leading the criminal underworld.
- #34 – This is a one-off issue where Batman goes up against a random criminal. It also references things going on in Batman Eternal at that time
- Endgame (#35-40, Annual #3) – Here, the Joker returns and becomes more of a threat to Gotham and Batman. Some major DC players even get involved. Let’s just say that major stuff goes down in this arc.
- Superheavy (#41-50, Annual #4) – After the events of Endgame, a new Batman step in the arena. I’ll keep the reveal to myself, though. The new Batman has to take on something that threatens the entire city. He may get some help from a certain billionaire though. Yeah, I’m not spoiling any of this. This was pretty much the last arc for Snyder and Capullo.
- Epilogue (#51) – This officially ended Snyder’s and Capullo’s run on Batman.
Now that I’ve re-read all of this run, what do I think? I
can say that it is a pretty good run of Batman comics for the most part.
Snyder, Capullo, and the rest of the gang did their best to make this series
work. Heck, the fact that I stuck around to the end should say something. There
was a reason this book was considered to be the best from DC’s New 52/DC You
initiative. The run started out strong and ended well for the most part. Even
though are bumps in the road, this was still good.
One of the trippiest issues I've ever read.
The Writing
Scott Snyder did a lot of good things here. Unlike most heroes in the New 52, Snyder
didn’t have to revamp much for Batman since a lot of his history was left in.
While he would write a new origin down the road, he came in and wrote Batman
how he wanted. Luckily, it was the Batman everyone knew and liked. To me, his
Batman was cool but not too perfect. Some writers would tend to write Batman as
someone who’s right at everything and can do no wrong. Snyder’s Batman was
competent but he had moments where he’d miss the ball. While we get examples
like this in “Zero Year,” we get times in some arcs like “Court of Owls,”
“Death of the Family,” and “Endgame.”
He didn’t forget about Bruce Wayne either. It just wasn’t
all about Batman. He even had a nice sense of humor and didn’t take everything
so seriously. While he is focused on the mission, he’s not too much of a
sourpuss. I also liked how the relationships between Batman and his many
supporting characters were written. I liked his interactions characters like
Alfred, Commissioner Gordon, Nightwing, and others. Gotham City itself was
brought to life especially in the writing. Usually, Bruce (or another person)
would wax on about some aspect of Gotham. While those monologues didn’t always
hit the mark, I liked them since it showed that Bruce knew his city.
I also liked the new concepts and characters introduced in
this run. The idea of a secret organization existing without Batman knowing was
pretty cool. The Court of Owls were a nice addition to the mythos. We also get
a couple of allies like Harper Row and Duke Thomas introduced here and they
were fine for the most part. We even got a new Batman for a while in the final
arc, “Superheavy.” Someone gets tasked by a
corporation to be a law-abiding Batman in a robot suit while Bruce is… away.
While I wasn’t a big fan of the final arc, it was interesting to see this
person carry on the mantle for a while.
The villains were definitely challenging for the World’s
Greatest Detective. As I said above, The Court of Owls were a worthy,
interesting foe for Batman. Towards the end of the run, a new villain came onto
the scene by the name of Dr. Bloom. While “Superheavy” wasn’t one a great arc,
I thought Bloom was fine. Of course, Snyder revamped most of Batman’s rogues
for the New 52 and most of them worked. I liked how the Riddler was used in
“Zero Year” and Clayface got a nice revamp. Of course, The Joker made his
return in this book and they played him up as force of nature. While some
aspects weren’t that good, the Joker was cool.
Even though Snyder didn’t handle most of the backups and
annuals, he did play a role in them. The writing was usually left up to other
writers like James Tynion IV, Gerry Dugan, and Brian Azzerello. The writing for
those were pretty good. They tended to expand on whatever story Snyder was
writing at the time. I can see why Tynion has been given so much to do these
days. Not only has he written on Batman: Eternal, he’s on Detective Comics and
the Dark Days: Metal event.
Artwork
The artwork for the series was really good. Greg Capullo
really brought his A-game to the series and it showed. He took the reins and
steered the course throughout the series. His artwork was stylized a bit but it
felt true to Batman and Gotham City. He didn’t go too overboard with his style.
His Gotham looked big and kind of overwhelming at times. Batman/Bruce Wayne
looked awesome. I liked that we didn’t just see one costume nor look for Bruce
either. Everyone looked on model for the most part. There were some revamps
done with some supporting characters and villains. They worked for the most
part. The action scenes looked epic and the smaller, introspective scenes were
pretty effective.
Another thing about
the artwork that was good was the colors. They all popped off the screen
especially with Capullo’s artwork. You also had other artists contribute
through fill-in issues, annuals, and backups. Rafeal Albuquerque, Andy Kubert,
Jock, and Jason Fabok were just some of the artists that came in to help. Even
though they only did some minimal work, it was good work.
Got some nice Kubert artwork here!
Problems With Run
Yes, we got another Batman/Superman fight... At least Snyder's remark at the bottom makes up for it.
Snyder’s run was also pretty laden with long arcs. While I
liked them, it could get a little out of hand. I mostly saw that with
“Superheavy” and “Zero Year”. I know what you’re thinking. I do like “Zero
Year” and think it’s one of the run’s highlights. Still, that thing was long!
There were also times where the endings for some arcs could get a little shaky.
It’s like Snyder would start out strong and finish catching his breath. Also,
how many times did Gotham need to be thrown into “city-wide chaos mode?” That
did get a little repetitive especially toward the end of the run.
I wasn’t also a big fan of some revamped villains here. The
biggest one on the list is Mr. Freeze. In the first annual, we got a new origin
for Freeze and I wasn’t a fan. It just didn’t gel with me when seeing how he’s
treated in other media like the Arkham games or Batman: TAS. Also, the revamped
Joker took some getting used to. “Death of the Family” was an okay arc to me. The
Joker’s role in it was kind of weird. Just read it and see what I’m talking
about. I liked him more in “Endgame.” Other than these things and some small
nitpicks, the writing was pretty good.
I really don’t have many problems with the artwork. I can
pretty much take it as is but I did have a couple of criticisms. I wasn’t a big
fan of some of the violence in the series. There were times were it got a
little too gruesome for me. The Joker’s look in “Death of the Family” is a big
example. It just took him too far over into the creepy bin. I get why he looked
liked that but it just didn’t work for me. At least it was just that arc.
I also wasn’t a fan of some of the re-designs for some
villains. These designs were literally at the beginning of the series where
Batman faces off against them in Arkham Asylum. Luckily, those designs didn’t
stick around. Then, Maggie Sawyer shows up towards the end of the series and I
couldn’t tell if that was really her or not. There were also some points here
and there where the artwork wasn’t all perfect. Even some of the filler artists
had some not-so-perfect moments.
………………………………………………………………………..
In the end, this was a good run for Batman and a good run in
general. It’s not a perfect one, though. I also can’t say it’s the best Batman run
since I haven’t read too many of them. Still, if you’re a
fan who hasn’t read many Bat-comics, this wouldn’t be a bad start. Well, if you
excuse me, I’ll be getting back to playing The Witcher 3, doing work, doing
house work, and living life. Until then, Peace, God Bless, and don’t punch
horses unless you’re Batman.
Ta-da! And for my next trick, I'll come back from the dead... again!
No comments:
Post a Comment