Well, here it is. It’s the final issue of this pretty weird
event. I have to say that it’s been interesting. It’s been cool going through
this event with a more critical eye. I may need that eye for this issue.
The creative team has gone through some changes for this final issue. Morrison is still the writer while Doug Mahnke is penciling the whole issue. The issue also houses a lot of inkers and I mean a lot. I don’t even think I know most of these folk. The main cover has Superman flying toward us while the variant shows the Multiverse being destroyed. The covers are okay this time around with both feeling pretty lackluster for a final issue. Now, excuse me as I try to recap this loopy issue.
Final Crisis #7
Writer: Grant Morrison
Penciller: Doug Mahnke
Inkers: Tom Nguyen, Drew Geraci, Christian Alamy, Norm Rapmund, Rodney Ramos, Doug Mahnke, and Walden Wong
Colors: Alex Sinclair, Tony Avina, and Pete Pantazis
Letters: Travis Lanham
The creative team has gone through some changes for this final issue. Morrison is still the writer while Doug Mahnke is penciling the whole issue. The issue also houses a lot of inkers and I mean a lot. I don’t even think I know most of these folk. The main cover has Superman flying toward us while the variant shows the Multiverse being destroyed. The covers are okay this time around with both feeling pretty lackluster for a final issue. Now, excuse me as I try to recap this loopy issue.
Writer: Grant Morrison
Penciller: Doug Mahnke
Inkers: Tom Nguyen, Drew Geraci, Christian Alamy, Norm Rapmund, Rodney Ramos, Doug Mahnke, and Walden Wong
Colors: Alex Sinclair, Tony Avina, and Pete Pantazis
Letters: Travis Lanham
We start out on Earth-23 at the White House. President
Calvin Ellis (not named by the way) is being told about the red skies and
weirdness on Earth. When he gets to his room, he tells Brainiac to fill in for
him for an hour while he goes to his other job as Superman. He heads to
Themiscayra and talks to Nubia, this Earth’s Wonder Woman. As they’re trying to
see what’s going on, the Ultima Thule comes out of the sky. In it are Renee
Montoya and other Supermen from the Multiverse. Captain Marvel tells them that
they need his help.
We get caught with the situation with Darkseid. Superman is
naturally enraged about Batman’s death, but he can’t really do much to Darkseid
when he realizes that’s he’s in Dan Turpin’s body. Also, if Darkseid dies, then everyone under
his influence dies. The people under the Equation start to attack Superman and
Darkseid tries to shoot him with another god-killer bullet. In order to weaken
Darkseid, the Flashes (Barry and Wally) get the Black Racer to race towards
Darkseid since the bullet Batman used last issue is killing him slowly. Since
the Black Racer is essentially “Death with No Style,” Darkseid gets messed up
big time and Turpin starts to gain control.
Darkseid and the people under the Equation fall out.
Unfortunately, Furies and Justifiers show up to face Superman. Luckily, Luthor
and Sivana have control of the Justifiers and ally with Superman. Other heroes
like Frankenstein, Supergirl, and Liberty Belle show up to kick some butt. The
Furies are defeated and Frankenstein does something to make Wonder Woman come
back to the good side. She is able to
free the civilians from Darkseid’s influence with her lasso.
We then get caught up on the situation with Checkmate.
Remember that they were being attacked and trying to get survivors to another
Earth. Heroes like Hawkman and Hawkgirl are trying their best to get folk to
the other side. The Super Young Team are also doing their thing. Suddenly, the
tunnel collapses and it’s actually hard to tell what happens here. I also have
to say the same thing about the situation on the JLA Watchtower with Black
Canary and the other survivors. I honestly don’t get it.
Eventually, Earth-0 (the main Earth) becomes unlivable, so
Superman creates a fortress in space. It’s here where Superman and the rest of
the smart folk put together the Miracle Machine using Superman’s memory. Also,
all of the civilians are shrunken down and frozen until all is fixed. Before
this happens, Lois Lane puts together one final edition of the Daily Planet and
documents everything that happened. The paper and a few other mementos are put
into a rocket a lot like Superman’s rocket from the Silver Age and sent off
into the unknown.
Superman is the only one left. As he puts the final bits on
the machine, Darkseid’s dying spirit comes to Superman and tries to taunt him.
Superman rebuffs him and then sings him to death with that loud voice of his.
Yes, I just wrote that. Here’s the proof.
One wonders what song Superman sang to rid us of Darkseid. Knowing
Darkseid’s hate for Genesis, it was probably “Invisible Touch” or something.
Superman’s singing leaves him very weak. He heads over to
Metron’s chair and finds the last component for the machine: Element X, the
fire of the gods. As he adds it to the machine, our favorite Monitor, Mandrakk,
shows back up again. He’s along with Vampire Ultraman and they have Supergirl
in tow. Mandrakk also defeated the Spectre and Raidient, servants of God.
Mandrakk taunts Superman and says that the machine has no power. Superman
retorts saying that he’ll be able to power it on his own since he’s a solar
battery.
Suddenly, Superman gets help as Captain Marvel and the
Supermen of the Multiverse finally arrive. They take quick care of Ultraman via
heat vision. Then, Nix Uotan shows up and brings along the New Forever People
(the Super Young Team), Angels, and Captain Carrot and the Zoo Crew to join the
fight… What the heck did I just write? Anyway, the Green Lantern Corps finally
pop up on the scene. The Supermen turn their heat on Mandrakk and The Corps
stake him with a big, green stake construct. Mandrakk is finally defeated and
I’m almost done with this… Man.
Things then start to set back to normal. Everyone is
restored to normal size and head back to their lives. Barry heads home to his
family and the dead are mourned. In the Monitors’ plane of existence, Nix Uotan
tells them of what has transpired with the Multiverse and the Multiverse is fixed. The other Monitors
re-induct him into the order. After Nix fixes Earth-51 and basically makes it
New Genesis, he tells the Monitors that they’ve interfered with the Multiverse
enough. He basically wishes the Monitors out of existence. He then spends his
last moments with Weeja Dell. She asks him what Superman used the Miracle
Machine for. He says Superman wished for a happy ending. The story ends with
Nix waking up in his bed on Earth.
We then get an epilogue at the dawn of time. We find Antrho,
the first boy, as an old man. In the distance, we see the rocket that was launched
from Superman’s fortress. He heads back to his cave and dies from old age. We
then see another figure in the cave. He lays down his belt at Anthro. The issue
ends with Bruce Wayne beginning to draw a bat on the cave wall. Ooo... I’m
shocked.
Of course Morrison wouldn't kill him! Batman's so powerful he can even beat death!
…………………………………………………………………
So… I’ve gotten to this issue. Is the greatest thing ever in
the history of comics or is it pure, unadulterated poo-doo? Well, I do like it
for the most part. I don’t love it nor do I hate it. The issue brings
everything to a conclusion: Darkseid’s plot and that whole thing with the
Monitors. It does it in a way that is admittedly confusing. The issue is
literally everywhere and I can see why folk won’t like it. I tried to recap it
the best I could.
It requires a lot of
work to understand it. I’ve read this a few times and there are things I still
don’t get. What happened with situation in Checkmate? Did the Hawks and Mr.
Teriffic die? I know that’s not the case because they were still around in the
DCU after this event. The whole event tends to show, not tell, and this issue is the the worst in that aspect.
There’s also the fact that Mandrakk and the stuff with the Monitors play a big role in the conclusion. If you had only stuck with the main series and not bothered with any of Superman Beyond, then you’d confused out of your mind. To be fair, that’s less this issue’s fault and more the fault of whoever thought that Superman Beyond shouldn’t have been part of the main series. I also didn’t like how that part was all wrapped in within a few pages. For the ultimate evil, Mandrakk was really lame. Then, there's the twist ending with Bruce Wayne. I don't hate it, but it does make Batman look even more superhuman than he should be.
There’s also the fact that Mandrakk and the stuff with the Monitors play a big role in the conclusion. If you had only stuck with the main series and not bothered with any of Superman Beyond, then you’d confused out of your mind. To be fair, that’s less this issue’s fault and more the fault of whoever thought that Superman Beyond shouldn’t have been part of the main series. I also didn’t like how that part was all wrapped in within a few pages. For the ultimate evil, Mandrakk was really lame. Then, there's the twist ending with Bruce Wayne. I don't hate it, but it does make Batman look even more superhuman than he should be.
While I have my qualms about the issue, there are things I
really like. I liked how the heroes beat Darkseid. Instead of a drag-out fight,
Darkseid gets taken out in some different ways. Batman shoots him, the Flashes
get Death to hurt him, Wonder Woman does her thing, and Superman sings him to
death. I really do like that. I also thought the ending involving Nix and the
Monitors was okay. While the final battle with Mandrakk was really lackluster,
I did like seeing all those Supermen show up. That was pretty cool.
The artwork is a bit of a mixed bag this time around. While
Mahnke did the pencils pretty well, the inks and colors were all over the place
at times. Sometimes they worked well. Other times, the colors and inks made the
artwork look pretty weird. One place where the art look weird was on
Superman’s Fortress. Another one who just looked off was Wonder Woman. It
either looked like she got a big tan or someone got Nubia (Earth-23 Wonder
Woman) mixed up with Diana. Overall, Mahnke’s work wasn’t the reason I don’t
like the art that much. His work on the Superman Beyond tie-in and the Requiem
tie-in were really good since he had inkers and colorists that made his style
look good.
Overall, this issue is an okay ending to the event. As I
said before, I don’t love it but I don’t hate it either. There are times where
its non-traditional storytelling doesn’t work for me. Still, there is enough
here for me to like it.
………………………………………………………………
In the end, this was a weird event. Unlike most Crisis
events, not much changed. The only things that were definite were most of the deaths and the return of Barry Allen. There are things to like about it. The New
Gods were used in pretty different ways. It really felt like a fight for our
heroes. I also liked the many callbacks to Jack Kirby creations. It really was
a weird love letter to his work at DC. It has its flaws though. It got too
weird, there were some lame ideas, and it kind of feels like it should have
been longer than it was.
Do I recommend it? Well, if you have a Bachelor’s Degree in
DC History, like Grant Morrison’s weird work, or are looking for something
different, try it out. Go for the trade if you are going to read it because it
really has everything you need. It has the main issues, Superman Beyond, and
Submit. It should’ve had those Batman tie-ins but we can’t get everything, can
we? Well, I’m almost done with the word “Crisis.” Next time, I’m going to look
at the four "Crisis" events and basically see which one is my favorite.
Peace, God Bless, and be careful out there. There’s a lot of “Stupid” going on
and I don’t like it.
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